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Lyle Munro
The Animal Activism of Henry Spira (1927-1998)
This paper profiles the animal activism of the late American
animal activist Henry Spira, whose campaign strategies and
tactics suggest a number of links with the nineteenth century
pioneers of animal protection as well as with approaches favored
by contemporary animal activists. However, the article argues
that Spira’s style of animal advocacy differed from conventional
approaches in the mainstream animal movement in that he
preferred to work with, rather than against, animal user
industries. To this end, he pioneered the use of “reintegrative
shaming” (J. Braithwaite, 1989) in animal protection, an
accommodation strategy that relied on moralizing with opponents
as opposed to the more common approach in animal advocacy of
adversarial vilification, and hence, disintegrative shaming. The
article describes the framing of some of Spira’s best-known
anti-cruelty campaigns and his use of reintegrative shaming to
induce animal users to change their ways.
Henry Spira is a classic example of an issue entrepreneur who
used a variety of legal tactics, both conventional and
unconventional, to achieve his nonhuman animal welfare goals.
His strategy was unusual for an animal protectionist in that he
sought to make instances of animal cruelty public only as a last
resort. Ever the pragmatist, his primary goal was to reduce the
level of suffering and cruelty to animals, preferably by
persuasive communication and only when that failed, by coercion.
Sometimes Spira worked alone, and sometimes he formed social
movement organizations from existing animal rights groups to
achieve his ends. His tactics always were designed to achieve
maximum benefits in terms of saving animals’ lives and ranged
across the spectrum of tactical mechanisms identified by Turner
and Killian (1987).
Activists and advocates, at one time or another, have used all
four mechanisms persuasion, facilitation, bargaining, and
coercion in their campaigns on behalf of animals. These
tactical mechanisms can best be thought of as a continuum with
persuasion as the most moderate tactic at one end and the more
direct confrontational tactic of coercion at the other end. Not
surprisingly, persuasion, facilitation, and bargaining tend to
be the preferred tactics of organizational advocates in the
suites while coercive tactics are usually more commonly observed
in grassroots activist campaigns.
Persuasion, involving the use of strictly symbolic manipulation
and the raising of issue consciousness, is one of the most
important ways in which ideology is produced and continuously
modified (Turner & Killian, 1987, pp. 297-298). For
organizational advocates, persuasion usually takes the form of
education campaigns, typically via their own print media
(brochures, glossy magazines, and the like). Although
consciousness- raising in the environmental movement has been
derided as “social change through banner hanging” (Wapner,
1995), it is an important tactic in the animal movement for
changing the way people think about animals. As described below,
the use of persuasive communication as a tactic for changing
people’s sensibilities is exemplified in the various campaigns
organized by Henry Spira.
In many instances, grassroots activists, in particular, have
deployed coercive tactics of various kinds to achieve
improvements in animal welfare. These range from the use of
“nuisance” tactics to more disruptive tactics including the
violent actions of extreme animal rights activists. Coercion,
then, can be thought of as a continuum ranging from the mild
forms of persuasive communication used by Spira to the threats
of violence made by extremist groups such as the Animal
Liberation Front. Spira used coercive shaming only as a last
resort and only when his targets failed to respond to his animal
welfare proposals. Put differently, he preferred liberal
governance strategies to critical governance strategies (Newell,
2000). Newell describes liberal governance strategies as those
that seek reforms within the system while those engaged in
critical governance “tend not to compromise and are less
inclined to discuss ways in which (environmental) activists and
company executives may be able to help one another” (p. 127).
Grassroots activists are more inclined to embrace the symbolic
and expressive with little concern for the more pragmatic
evaluation of long-term strategic planning favored by animal
advocates and lobbyists. Turner and Killian (1987, p. 301) note
that an undisciplined grassroots movement employs many tactics
more expressively than strategically. These distinctions are
never cut and dried. For example, in forming coalitions with
other groups or in facilitating common cause alliances,
grassroots activists sometimes employ the tactical mechanisms of
persuasion, bargaining, and facilitation that, in theory, belong
in the suites and offices of the professional lobbyist. As I
will show, Spira’s style of activism used all these conventional
tactics, including coercion, albeit with a different twist.
Spira’s Animal Activism in Theory and Practice
In common with other social change advocates and activists in
social movement organizations, Spira’s campaigns consisted of
three essential frames: diagnosis, prognosis, and a call to
action (Wilson, 1973; Snow & Benford, 1988). I describe Spira’s
diagnostic and prognostic frames as belonging to the
conventional animal protectionist’s techniques of seeing and
exposing cruel practices. His “call to action”the frame that
constitutes the third prong of a social movement’s framing
repertoire was more unconventional. It was used (a) as a weapon
of last resort to shame recalcitrant animal abusers and (b), in
a reformatory, reintegrative sense along the lines advocated by
the criminologist Braithwaite (1989), for controlling crime.
Spira was unusual as an activist in that he hoped to avoid the
disintegrative or dysfunctional shaming that characterized the
rhetoric of vilification used by antivivisectionists in the
nineteenth century and the “them versus us” stance of many
contemporary animal rights fundamentalists. Thus, in stark
contrast to Spira’s approach, People for the Ethical Treatment
of Animals (PETA) has used consumer boycotts to attack directly
the interests of alleged animal abusers. Friedman (1999) found
that in recent years 11 of 12 PETA boycott campaigns focused on
using the media to dramatize the actions. In half these
boycotts, PETA made no effort to communicate with its targets
either before or after the actions took place (p. 190).
In contrast to the hard-line tactics of PETA and similar groups,
Spira’s strategy in all of his most widely publicized campaigns
that are discussed below the American Museum of Natural
History’s cat campaign, the targeting of Revlon, Procter &
Gamble, Perdue Farms Inc., and the U. S. Department of
Agriculture (USDA) included the novel strategy of attempting to
identify common interests between the targeted organization and
the animal lobby rather than the “them and us” stalemate that
characterizes most animal rights campaigns (Munro, 1999).
Working with, rather than against, animal industries made Spira
a target for criticism from some sections of the animal rights
movement. When Spira exposed institutional cruelty toward
animals, he used the threat of coercive shaming only as a last
resort. His primary objective was instrumental, not expressive.
His strategy was unusual in social movement activism in that he
would prefer to avoid the call to action the last of the three
framing processes used by social movements because his
preferred outcome was to resolve the movement’s grievance during
the second stage of the process, that is, during the prognosis.
His strategy was to work through the processes identified by
Turner and Killian (1987) as persuasion, facilitation,
bargaining, and identifying the interests of the movement’s
opponents that were compatible with the ethical treatment of
animals. Spira sought to engage in reformatory or reintegrative
work with his adversaries to find more humane ways of using
animals to reduce their suffering and still preserve the
legitimate interests of his targets. As we will see, this
typically meant initially applying mild coercion to corporations
and individuals in the form of an offer they were reluctant to
refuse. Although Spira politely suggested that it was in the
interests of an organization not to be subjected to negative
publicity, which could threaten the reputation of the
enterprise, not all his targets were prepared to cooperate with
what they saw as blatant extortion. Spira’s style of animal
advocacy / activism, while unique in many ways, had much in
common with some of the tactics of the nineteenth century animal
protection pioneers. The characteristics of Spira’s work are
described in the remainder of the paper.
Diagnosing Oppression: Ways of Seeing Animal Suffering
According to Shapiro (1996), there are different styles of
seeing or different levels of perception (one woman’s elegant
fur coat is another woman’s dead animal) that involve taking in
or fully grasping the meaning of the object of perception in
this case the animal reduced to a commodity. The feminist
philosopher Rosemary Tong has noted that Aristotle claimed the
basis for making ethical decisions was “‘in the act of
perceiving, in seeing through one’s experience [italics added],
to the moral truth beneath appearances’” Donovan, 1996, p. 165.
She argues, however, that philosophers in the Western tradition
have not lived up to the Aristotelian model. “‘Not seeing the
oppression that surrounded them, they shaped an abstract ethics
that may have served to protect the interests of those in
power’” (Donovan, p. 165). Thus, while moral philosophers Peter
Singer and Tom Regan have served as midwives to the animal
movement, ordinary citizens have been responsible for
translating “ethics into action” as the title of Singer’s (1998)
book on Spira acknowledges.
Kean’s (1998) recent history of the animal rights movement in
England from 1800 to the present highlights the act of “seeing”
animal suffering in the streets of London as the most important
factor in the development of the movement in that country.
Lansbury (1985), also notes that in the city at least, cruelty
towards horses “was under the supervision of a watchful [italics
added] populace, but in the country the old barbarities
persisted” (p. 35). Kean criticizes fellow historian Thomas for
not recognizing the importance of the sheer number and
visibility of England’s working animals in the development of
what Thomas (1984) called “the new sensibilities” in our
treatment of animals in the early modern period (p. 303). Then
as now, she argues, it was the sight of suffering animals for
example, animals in transit under the control of drovers in the
nineteenth century or lorry drivers as recently as 1995 that
inspired public protests against the injustice of animal cruelty
in England. For Kean, animal rights sensibilities during the
past two centuries were affected primarily by the visibility and
the visualization of animals. “Paradoxically,” writes Shapiro
(1996) about cruelty toward animals in the late twentieth
century, “what everywhere hidden, forgotten, denied, erased,
transmuted, manufactured is yet everywhere present. The shopping
mall, the restaurant, the city, but not less the woods and the
seaeach has its own network of bloody trails” (p. 140).
Both animal visibility and the way animals are visualized or
represented are important in Spira’s diagnosis of cruelty. By
focusing on the “invisibility” of animal suffering behind the
closed doors of the research laboratory and the factory farm, he
has attempted to make these hidden worlds more visible so that
as in the case of the working animals of the nineteenth century,
a watchful populace can condemn cruel practices. In the
visualization of animal suffering, parallels can be drawn with
some of Spira’s campaigns and those of the early animal
protectionists described by Kean (1998). There are differences,
however, in the way the antivivisectionists and Spira’s
supporters dealt with their opponents. In Munro (1999), I
describe this as a difference between the rhetoric of
vilification and a policy of accommodation.
Spira focused on institutionalized cruelty, on systems of
oppression as represented by corporations involved in animal
exploitation rather than individual abusers of animals although
they too have been targeted, as we will see. Shapiro (1996)
suggests that terms like systems of oppression, injustice, and
speciesism are examples of abstract seeing that protagonists on
both sides of the movement use to deflect or soften the reality
of individual animal suffering (p. 136). In Spira’s case, the
abstraction served as a tactical mechanism for encouraging
oppressed workers, migrants, women, and other downtrodden groups
to see animal suffering as an extension of their own oppression.
More than most animal rights leaders, Spira was conscious of the
interconnectedness of speciesism, racism, and sexism as social
injustices. For him, the treatment of nonhuman animals was bound
up with our treatment of downtrodden workers, blacks, and women.
Nonetheless, Spira was first and foremost an animal rights
activist. These other causes were important only is in so far as
they contributed to an understanding of the plight of animals.
Strategically, he reflected: “We knew that we must focus sharply
on a single significant injustice, on one clearly limited goal.
Moreover, that goal must be achievable” (Spira, 1985, p.197).
Spira’s Prognostic Frame: Visualizing and Exposing Cruelty
That goal was a ban on the use of cats at the American Museum of
Natural History (AMNH) for sex experiments, a practice that
would not be exposed by recourse to “abstract seeing” but rather
by visualizing vivisection at its worst. Spira first came across
the “cat torture experiments” in a report published by the
antivivisectionist organization, United Action for Animals. The
first step in his prognosis that is, what to do about the
grievance was to seek more details about the nature and funding
sources of the experiments by using the Freedom of Information (FOI)
Act (Singer, 1998, p. 54). The evidence in the documents
obtained via FOI indicated to Spira that the experiments were
both cruel and useless. These bizarre sex procedures on cats
made the AMNH in New York City a vulnerable target for his first
public campaign in 1976 on behalf of nonhuman animals (Singer,
p. 55). Seeking an opportunity to discuss the future of the cat
sex experiments with the researchers, Spira sent requests to the
museum, but the letters and calls were ignored. A radio station
and a Manhattan weekly newspaper sympathetic to the cause gave
the campaigners some publicity, which then was followed by
public demonstrations outside the museum (Singer, pp. 56, 57).
These continued every weekend for more than a year but there was
still no dialogue with the museum (Singer, pp. 57-59).
In May 1977, “Stop the cat-torture at the Museum of Natural
History” a full-page advertisement appeared in The New York
Times. It featured a graphic picture and headline along with an
explanatory text that detailed the cruelty to cats performed at
public expense in the name of science. The picture and the
accompanying text are reminiscent of “Shedding light on
professional cruelty” (1909-1910) featured in Kean (1998), which
depicts a guilt-ridden vivisector caught in the act of
experimenting on a small dog. At about the same time, in 1907,
moral reformers in the National Council of Women of Canada
called for “the searchlight of knowledge and truth” to be turned
on the “social evil” of female prostitution (Valverde, 1990,
p.68). Valverde gives a number of examples where light was used
as a metaphor in various social purity campaigns; in contrast to
Kean’s example, in this campaign the authority figure holding
the searchlight of surveillance is a doctor responsible for
“cleansing and healing” the impure. The “Stop the Cat Torture”
(1977) text in small print claims that “Behind locked doors, in
sound-proof labs, hidden from an unknowing public” doctors and
scientists are perpetrating unspeakable cruelties. These are
then graphically described and the chief scientist named, along
with advice on how readers can assist the campaign to ban the
cat-torture .
Independent of this publicity, the chief scientist was harassed
when activists distributed fliers asking, “Do you know this
man?” along with details of his experiments to his residential
neighbors. Although Spira was not involved directly in the
intimidation of the individual, he managed to encourage
thousands of scientists to believe that they too could be
exposed and shamed if they were involved in cruel animal
experiments (Singer, 1998, p. 71).
When the museum eventually discontinued the cat experiments,
Spira had succeeded where the antivivisectionists a century
earlier repeatedly had failed. How can this be explained, given
that similar tactics of exposing and vilifying vivisectionists
for inflicting unnecessary cruelty on animals had failed in the
campaigns of the nineteenth century? The most plausible
explanation is that in the mid 1970s a much larger public was
receptive to the influence of a much more extensive network of
print and electronic media than was available to animal
protectionists in the mid 1870s. In addition, with the
publication of Singer’s Animal Liberation, the various
liberation movements of the twentieth century involving blacks,
women, and in 1975 animals all contributed to the mood of
social change that Spira and others were promoting in their
advocacy of social justice. As Spira (1985) explained: “We
wanted to adapt to the animal movement the traditions of
struggle which had proven effective in the civil rights
movement, the union movement and the women’s movement” (p.197).
Yet, the systems of oppression that Spira (1985) identified were
not unlike those that Lansbury (1985) described. Lansbury
recounts a turn of-the-century controversy in Battersea,
whensuffragettes, antivivisectionists, and working-class men
defended the statue of an old, brown dog as a symbol of
oppression by the “New Priesthood” of doctors and medical
students. Citing Patrick White’s (1973, p. 135) The Vivisector,
Lansbury (p. 24) explains how according to a Battersea resident
who remembered the riots the dog became “an advertising story”
in the Anti-Vivisection Council’s shop-front display in Oxford
Street.Shop-front displays, exhibits in shopping malls, and
weekend markets are still popular with animal protectionists in
welfare groups like the Royal Society for the Prevention of
Cruelty to Animals as well as with more radical activists in
animal liberation branches at least in Australia.
The difference in the visualizing of cruelty in the two eras lay
in the media available to the activists. Thus, whereas the early
antivivisectionists relied on popular fiction, in-house
journals, and shop window displays to press their claims,
contemporary animal protectionists like Spira have a potentially
more effective medium for propagating their issues to a much
larger audience in the form of the electronic and print mass
media. The 1977 campaign advertisement in the New York Times was
read by thousands of readers, many who responded to the call to
action. The early antivivisectionists’ propaganda against animal
experimentation was published in animal protection tracts,
fliers, and posters read mainly by the converted. Reaching a
wider audience was achieved through the medium of fiction in
popular novels like Black Beauty (1877), which became a school
text and a regular prize at Sunday schools (Lansbury, 1985, p.
5). According to Lansbury, what people said and did at the turn
of the century “was shaped as much by literature as by history.”
Hogarth’s (1750) Four Stages of Cruelty provided a recurring
theme used by novelists more than a century after the work first
appeared and suggested to the working class that the natural
order of things was that cruelty to animals led to the murder of
women and the offender’s own dissection by experimentalists.
It is not possible to say whether the more sophisticated
electronic media of the late twentieth century are a more
effective mobilizing force than the print-based propaganda used
in the nineteenth century. Yet, in reading Lansbury (1985), one
is struck by the number of “advertising stories” about animals
in addition to the posters, pamphlets, and essays on the
subject in which novelists used “the truths of fiction” to move
the hearts of their readers (130-131). Vivisectors became “a
recurring figure in pornography and in women’s fiction” and were
portrayed as the ultimate in evil. Consequently, both sides used
the rhetoric of vilification to mobilize support their
respective causes. Using a tactic that would be repeated 75
years later by the defenders of animal experimentation in a
Newsweek cover story (The battle over, 1988), the Research
Defence Society in 1912 challenged Hogarth’s prints with a
morality tale of its owna picture of a smiling woman and her
child with the caption: “which will you save your child or a
guinea-pig? (Lansbury, 1985, p. 169) .
Prodding Action Through Motivational Shaming
As noted at the beginning of this paper, when Spira exposed
institutional cruelty in the treatment of animals, he employed
the threat of coercive shaming, but only as a last resort. His
primary objective was to achieve animal welfare goals through
persuasion, bargaining, and facilitation, and without the
mobilizing frame or call to action that social movements use to
coerce their opponents. Just as the early pioneers in the animal
movement used fictional literature as advertising stories to
inspire compassion, Spira’s coalition of activist groups in
Animal Rights International (ARI), reminded its adversaries of
the animal lobby’s version of successful advertising stories,
namely those featured in the New York Times. Although some
animal exploiters have seen this as a not so subtle threat, most
have accepted the tactic as legitimate. By offering to work with
his adversaries to find a mutually beneficial outcome, Spira was
seen to be acting in good faith.
Spira’s animal rights campaigns were unique in that they sought
to replace vilification with accommodation by identifying the
common interests of animal protectionists and animal exploiters
(Munro, 1999). Unlike the nineteenth century antivivisectionists
who demanded the abolition of animal experimentation and whose
arguments were used to deviantize the vivisectors, Spira was
prepared to work with animal users to achieve improvements in
animal welfare. Just as the campaigners of the [nineteenthcentury
used access to fresh water as an incentive for people to be kind
to animals, contemporary animal protectionists like Spira appeal
to the self-interest of people who work with animals (Kean,
1998). Business and scientific fraternities that use animals for
commercial and research purposes cannot afford to have their
reputations damaged by charges of animal cruelty or indifference
to animal suffering. Spira and his supporters have effectively
employed the motivational power of shame and its converse pride
in their campaigns against major companies and institutions in
the United States.
One of Spira’s most successful campaigns, Tthe Revlon
campaignwhich began in September 1978, illustrates this point,
and demonstrates his use of persuasive communication and
coercion. A letter was sent to Revlon suggesting an alternative
to the Draize test, which involves the application of toxic or
irritant substances to the eyes of rabbits to test levels of
safety. According to ARI, replacing Draize, in cosmetics testing
alone, with a more humane alternative might spare 10,000 rabbits
needless suffering and death. As in other campaigns, Spira
sought to identify the overlapping interests of the company and
the animals. In the letter to Revlon, Spira’s scientific adviser
Leonard Rack suggested that alternative methods to the Draize
test would “be faster, more economic, and more efficiently
protective of the cosmetics user than current methods” (Singer,
1998, p. 92). In June 1979, a meeting between Spira and Revlon’s
vice president for public affairs ended without any meaningful
dialogue between the two and no indication of any willingness by
Revlon to use a more humane alternative to Draize.
Spira then set up a new group of alliances, the Coalition to
Stop Draize Rabbit Blinding Tests, consisting of more than 400
organizations with a membership in the millions (Singer, 1998,
p. 93). News of the Coalition’s Revlon campaign and the cruelty
of the Draize test began to appear in the popular press, but
Revlon was unmoved. When a further meeting in January 1980 with
Coalition members and Revlon’s vice president proved fruitless,
Spira arranged for a full-page advertisement to be run in the
New York Times on April 15, 1980 (Singer, p. 96). As the words
in large print and the accompanying mobilizing information made
clear this was a call to action that could be disastrous to
Revlon’s reputation as “the General Motors of beauty”. Revlon
denied the claims, but a new, more conciliatory vice president
was convinced the company was in trouble when “an enormous
demonstration on Fifth Avenue” took place with dozens of
reporters and science writers in attendance (Singer, 1997). The
Coalition continued the pressure on Revlon with representations
to different levels of government and a new full-page
advertisement in the New York Times (October 7, 1980), which
observed that, “There must be a less ugly way for Revlon to test
beauty products.”
More public demonstrations against Revlon induced the company to
agree to fund research for an alternative to Draize, and in the
spirit of reintegrative shaming Spira praised the industry
leader for “linking imaginative, elegant science with effective
and efficient safety testing” and for providing $750,000 over
three years for the researchThe Revlon chairman and chief
executive described the grant by as “proof of Revlon’s social
conscience (Singer, 1998, pp. 103-104), a phrase Spira used to
encourage other cosmetic companies to support Revlon’s
initiative. Revlon’s vice president was gratified by the
company’s new image as a good corporate citizen and noted, “a
great pride in what we were doing. Everybody in our company felt
good when they went home that night because their kids would no
longer look at them cockeyed as being someone who does untoward
things to rabbits” (Singer, p. 105). The Coalition to Stop
Draize Rabbit Blinding Tests described the outcome as an
historic breakthrough in “imaginative, humane science” rather
than a victory per se. Accommodation had replaced vilification
in the repertoire of animal activist strategies.
Spira’s next major campaign focused on the notorious LD50 in
which animals are used to test the “Lethal Dose” of household
products like shoe polish and shampoo. A newspaper advertisement
explained that the Lethal Dose 50 % was the amount of any
substance, from cosmetics to cleaning products, sufficient to
kill exactly half a group of laboratory animals. The
advertisement targeted regulatory agencies in the United States
and led to admissions by the authorities that LD50 was of
limited use (Would you pay, 1983).
Spira’s stance on LD50 was, however, not for its abolition but
for reduction and refinement; he argued that six animals, rather
than 600, could provide sufficient data for the safety tests to
be valid. Although this was heresy to the fundamentalists in the
movement, Spira knew that years of campaigning by abolitionists
had not reduced the numbers of animals used in such experiments.
His strategy was to approach a large company that used the LD50,
Procter & Gamble, and suggest a plan that would serve the
interests of the company. He made it clear to Procter & Gamble
that they were not being asked for money to fund research for
alternatives but rather to save money by reducing the number of
animals used for product safety tests. After some persistence on
Spira’s part including attendance at an annual meeting made
possible by the purchase of a single share in the company
Procter & Gamble agreed that they had an interest in avoiding
unwanted publicity and could benefit financially and ethically
by “Taking Animals Out of the Laboratory,” (Singer, 1998, p.
145) as one of its in-house journals proclaimed. It was in this
journal that Spira took the opportunity to congratulate the
company for its “‘serious initiatives and commitment to replace
and reduce the use and suffering of lab animals [which was] both
visionary and practical’” (Singer, 1998, p. 126). Here then was
an example of how the tactical mechanisms identified by Turner
and Killian (1987) actually worked.
More radical animal rights groups like PETA were appalled by
Spira’s support of companies that had a history of exploiting
animals. Spira’s response is that his strategy of accommodation
is more effective than the vilification and stigmatization of
opponents:
I do not support PETA’s campaign which attempts to portray
Procter & Gamble as villain when, in fact, P&G has the best
record to date in developing [alternatives]. It seems to me that
when a corporation is responsive to our concerns, it makes no
sense to clobber them over the head. Rather, we want to
encourage them to continue to be responsive and use their
responsiveness as an example to others. (Singer, 1998, p. 131)
According to Singer (year) who clearly prefers Spira’s style of
activism to PETA’s more aggressive campaigns, the complete
abolition of Draize and LD50 remain elusive. Even so, PETA’s
worldwide campaign against Avon, in which millions of
door-hangers labeled “Avon killing” were distributed, caused the
company to discontinue animal tests within a month of the
boycott on its products. PETA’s campaign had all the ingredients
of successful social movement campaigns that Rochon (1990) has
identified as “sise, militancy and novelty.” The question,
therefore, is raised as to the effectiveness of Spira’s campaign
tactics, which, though novel, rely less on size and not at all
on militancy. Is the strategy of accommodating opponents less
effective than their outright defeat?
According to Braithwaite’s (1989) theory of reintegrative
shaming, stigmatizing white-collar offenders as “criminals” is
less effective than moralizing with them and encouraging them to
mend their ways. Reintegrative shaming focuses on the offence
rather than the offender. Spira appears to have used this
strategy long before Braithwaite coined the term “reintegrative
shaming” as a theory of crime control. Braithwaite argues that
white-collar offenders are more susceptible to shaming than
their blue-collar counterparts. This is confirmed by Spira’s
targeting of corporations that likewise are interested in
protecting their reputations and profits from the negative
consequences of bad publicity alleging cruelty to innocent
animals.
Not everyone, however, is responsive to the moralizing efforts
of social movement entrepreneurs. One such individual who seemed
impervious to Spira’s moralizing efforts on behalf of farm
animals is the chicken mogul Frank Perdue, who was
unsuccessfully targeted in at least two major campaigns (Singer,
p. 145). In the New York Times advertisement (Frank, are you
telling, 1989), Spira’s ARI targeted Perdue after efforts to
liaise with Perdue Farms Inc., failed. Unlike the Revlon
campaign, this did not have the desired effect, and a new slant
was put on the anti-Perdue publicity. In one campaign, the ARI
used the novel and eye-catching image of a chicken in a condom
to highlight the message that “there’s no such thing as a safe
chicken.” Like other groups such as the Farm Animal Reform
Movement that in recent years have expanded their rationale
against factory farming (Kunkel, 1995), Spira had dropped the
cruelty frame in the advertisement in favor of a health frame in
the hope of mobilizing more supporters by appealing to their
self interest. This also had no effect on Perdue, although Spira
claims the campaign worked well despite getting “absolutely
nothing from him” (Singer, 1998, p. 149). Some individuals, as
Braithwaite (1989) readily acknowledges, are beyond shaming.
The Effectiveness of Spira-Style Animal Activism
In an age of visual overload, pictures that startle, shock, or
otherwise attract people’s attention are widely believed to be
more useful to the movement in changing people’s attitudes about
animals than the cute clichés of the coffee table variety. On
the other hand, a number of animal movement leaders told me that
some of their members refuse to read in-house magazines if they
picture injured, suffering, or dead animals. Most of the animal
images used in Spira’s campaigns have been neither obnoxious nor
nice. Rather, his way of “picturing the beast” is to use
representations of animals that are realistic rather than
sensationalist, which in the case of the campaigns described
thus far and with the notable exception of the “condom
chicken” have been fairly innocuous. An advertisement published
in the New York Times (This is what USDA, 1994), however, which
depicts the cruelty involved in face branding cattle, is one of
the most disturbing and dramatic images used by ARI.
Here, the target was the U. S. Department of Agriculture (USDA)
that cancelled a meeting Spira had requested to discuss finding
an alternative to the painful and unnecessary procedure of face
branding. Berger (1990) describes violent war pictures as
arresting we are seized by them. It is no exaggeration to say
that Berger’s comments apply equally well to the images of face
branding in the ARI advertisement:
As we look at them, the moment of the other’s suffering engulfs
us. We are filled with either despair or indignation. Despair
takes on some of the other’s suffering to no purpose.
Indignation demands action (Berger, 1990, p. 42).
For the “caring sleuth” (Shapiro, 1996) for whom animal rights
activism is a way of life, there is both sorrow and anger in
these images of agony. But the purpose of the face-branding
image was not to engender despair among the movement’s
membership but to mobilize the indignation of those outside the
movement and to demand action. The call to action was explicit
in the caption: “This is what USDA policy looks like. Can you
imagine what it feels like?” This is a classic instance of the
use of “moral shocks” to prod people into action (Jasper, 1997;
Jasper & Poulsen, 1995). According to Singer (1998, p. 162),
1,000 readers had called the USDA in the two days following the
appearance of the advertisement. By December of that year, the
USDA was forced to discontinue the practice as a result of
public pressure. Typically, Spira did not gloat or claim a
victory for ARI. Instead, a follow-up full-page advertisement
featuring a more contented steer asked “Who is listening? The
USDA is listening!” In the spirit of reintegrative shaming, the
advertisement later hung in the department’s offices went on
to thank the USDA for its change of heart.
Many animal activists are offended by Spira’s willingness “to
work with the devil himself,” to use the phrase of Adele
Douglass of the American Humane Association (personal
communication, 1996) who would wholeheartedly agree with Spira’s
strategy. On the other hand, Spira’s policy of accommodating
opponents to achieve animal welfare reforms has been denounced
by some rights proponents, including the president of the
International Society for Animal Rights, Helen Jones, who has
sought to dismiss Spira’s activism as belonging to “the old
humane movement” (Feder, 1989, p.60). According to her, Spira’s
methods are ineffectual because they promote animal welfarist
incrementalism (lengthening the chains on the animal slaves) as
opposed to animal rights abolitionism (banning animal slavery
outright). Yet this criticism misses what was unique about
Spira’s animal activism. Unlike the abolitionists and his
critics in the contemporary animal rights movement, Spira relied
on what has proved to be a very effective form of “reintegrative
shaming” (Braithwaite, 1989) as a strategy to achieve
improvements in institutional practices involving nonhuman
animals.
A different view is taken by New York writer and activist Fano
(1997) who believes there are two strategies available to
activists. The first is to work within the current system to
achieve incremental change, which critics deride as animal
welfare conservatism. The second, which she advocates, is to
work outside the system for radical change (p. 209). These
strategies correspond to Newell’s (2000) liberal and critical
strategies noted in the early part of this paper. Spira’s
approach was to work, at least initially with, rather than
against, companies like Procter & Gamble, Revlon, and Gillette
as well as with the National Institutes of Health (NIH), the
organizational center of U. S. biological research. Fano
suggests that although this approach might be expected to work
in banning cosmetics testing, more radical, “grassroots”
activism will be needed if systems of oppression are to be
effectively challenged.
Although it is true that fundamental change will be achieved
only by reforming the structures underpinning the
institutionalized exploitation of animals, both the strategies
of grassroots activism and organizational advocacy are needed to
achieve this goal. Fano (1997) acknowledges as much when she
cites approvingly the repertoire of tactics used by an American
animal advocacy group that pressures companies in much the same
way that Spira did. The repertoire of tactics cited by Fano
which could have been borrowed from “An Animal Activist’s
Handbook,” devised by Spira himself include the key ideas of
pressure group politics; the promotion of alternatives; and the
use of international coalitions, advertising, public
information, and education as well as the accommodation of the
interests of compassionate companies (pp. 217-218).
I have suggested that Spira’s style of animal activism
incorporated many of the tactics used by the pioneering animal
protectionists in the nineteenth century but not the “them
versus us”, anti-science stance of the early
antivivisectionists. Spira’s diagnosis of the institutionalized
oppression of animals as a social problem is in accord with
Singer’s (1975) critique that sees sexism, racism, and
speciesism as interconnected systems of oppression. In
attempting to do something about cruelty to animals, Spira’s
prognostic frame was unique in that he sought to work with
corporations and individuals who harm animals in the hope of
reducing the total amount of animal suffering. His reformatory
and reintegrative work with animal industries has led the
leaders of some animal rights groups to condemn his style of
activism as ineffectual. Although Spira preferred to accommodate
the legitimate interests of his opponents, he was, nonetheless,
not averse to exposing their cruel practices if they refused to
consider using more humane, non-animal alternatives. Although he
was not the only moral entrepreneur to have used the threat of
coercion to achieve movement goals, he was unique in that the
tactic was used only as a last resort and then in the spirit of
reintegrative shaming. As an activist of long standing, working
with his adversaries, rather than against them, may not have
been his natural inclination but it was the strategy that he
believed achieved most for the animals.
* Lyle Munro, Monash University
Notes
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